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Ascend The Climber

Posted by Chris Wray on Jun 23, 2010 in architecture and urban spaces, art, photography

The Climber

If you’re traveling in the Phoenix/Scottsdale area, be sure to visit the Children’s Museum of Phoenix. Housed in the historic Monroe School building (a great example of Classical Revival architecture), the Children’s Museum features three floors of incredible sensory and motor stimulation. Their latest installation, dubbed The Climber, is a 37-foot high, 50-ton conglomeration of structural steel, fiberglass, wood, stainless steel aircraft cable, and found objects. My kids loved this wholly whimsical and totally hands- (and feet-) on installation. “Now this is the ultimate treehouse,” enthusiastically commented my son before dashing up one of its numerous gangways.

Various perches are cantilevered throughout the structure that allow visitors to climb into or onto, including wacky themed objects:

• Flying Bathtub
• Dream Boat
• Roof Top
• Fish Walk
• Recycled Rocket

The structure is thoughtfully constructed with a third-floor observation deck that permits visitors with limited mobility (or just too pooped to continue climbing) to observe the multi-level terrain of The Climber.

Clamber, balance, maneuver and discover — The Climber will engage your mind and muscles! Don’t miss it.

— Photos were taken with iPhone 3GS camera and Pro HDR app.

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Three pioneers in American photography

Posted by Chris Wray on Jul 13, 2009 in art

The three photographers Harry Callahan, Aaron Siskind, and Frederick Sommer irrevocably charted a new course in photography during the mid-twentieth century. Collectively, these photographers pushed classical photography beyond its traditional representational boundaries to one of pure abstraction and metaphor. I had the pleasure of recently seeing At the Crossroads of American Photography: Callahan, Siskind, Sommer, a featured exhibition at the Scottsdale Museum of Contemporary Art (SMoCA). According to SMoCA, this is the first full comparative exhibition of these three pioneers. All self-taught, Callahan, Siskind, and Sommer elevated photography to fine art, using seminal techniques and creative compositions to achieve remarkably fine art.

Paracelsus, © Frederick and Frances Sommer Foundation

Paracelsus, © Frederick and Frances Sommer Foundation

I found the exhibition, consisting of some 150 high quality prints, to be an intimate and meditative experience. While many of the works I had seen reproduced in art history books, several were heretofore unseen; on loan from private collections. A favorite work of my wife and mine is entitled Paracelsus. This gelatin silver print was created without a camera, using a synthetic negative. Listen to a detailed audio description of Paracelsus from the Norton Simon Museum.

At the Crossroads of American Photography: Callahan, Siskind, Sommer had been held over through August 9, 2009. If you’re in the Scottsdale area, this show is well worth the price of admission. A large format catalogue of beautiful reproductions is available from the SMoCA Store.

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